Last Sunday the jiplp weblog published David Flynn's
winning entry in the "Best IP Judgment Never Written" competition -- and now we are delighted to publish the entry which came second --
Robin Fry's report on the might-have-been judgment in
The Estate of Publius Ovidius Naso v William Shakespeare. Congratulations, Robin -- and thanks for sharing your legal expertise and your erudition with us!
JUDGMENT
Mr
Shakespeare is a writer of 'popular entertainments'. These are produced
in 'Southwark' which is a disputatious parish of Surrey, my colleagues on the
bench often reporting to me the licentiousness there. I, however, put
such matters out of my mind.
A
plaintiff's bill has been laid by the executor of the estate of Publius Ovidius Naso writing under the name 'Ovid', contending
that the deceased's 'Pyramus and Thisbe' has been copied by Mr Shakespeare in
his 'Romeo and Juliet' and thus infringes Mr Ovid's common law copyright.
Evidence has
been given (exceeding 217 folios in length) as to the similarities in the plot,
structure and language between the two works. I do find that Romeo and Juliet
is a striking representation of the other.
The giving
of such evidence has been constantly interrupted by brawls between aficionados
of Mr Shakespeare's work and hierophants for, inter alia, Christopher Marlowe,
the Earl of Oxford and Sir Francis Bacon who assert that Mr
Shakespeare has in fact stolen their work and they are the writers of such
work.
I put
that all to one side and find that the fact that a work may be a piratical copy
of another does not subvert the copyright in the first work nor does it render
the writer or publisher in any way exempted from actions brought against them.
Cary v Faden (1799) distinguished.
Mr
Shakespeare says that there are many similar stories, pointing to a manuscript
of Mariotto and Gianozza by Masuccio Salernitano published in 1476 and a book
of 'The Thirty Six Dramatic Situations' by Georges Polti. He
dramatised to the court (with actors) the 29th Situation ('The
Beloved is the slayer of a Kinsman of the Woman who loves Him' ). His
peroration continued with an ambitious justification of copying under
Ecclesiastes 1.9 'nihil novi sub sole" ("there is nothing new under the sun") and then proceeded
to recite his 59th Sonnet.
Further, he
points to numerous other infractions of the same story by Leonard Bernstein,
Esq., in his futuristic 'West Side Story' and an 'electronically displayed'
version by the quaintly named Mr Baz Lurhman. He maintains that Ovid lost his
rights by failure to act, laches and dilution. I find nevertheless that each
single performance or reproduction is a fresh tortious act. As to dilution,
this has never been a part of copyright law: in my judgement, copyright can
never be lost or invalidated by inaction.
I addressed
earlier the locus standi of the estate of Mr Ovid under the reciprocal
copyright provisions between Constanța and England. That was conceded by the defence.
However the
plaintiff admits that no probate has been yet obtained in England and defendant
so responds that the current executor has no proven title to sue. I have regard
here to the principles set out by the Lord Chancellor in Spottiswode v Clarke
namely that
'The
first question is to be decided is as to the legal right, and if the court
doubts about that, it may commit great injustice by interfering until that
question has been decided''.
I therefore
order this case adjourned sine die until the estate has obtained probate.
Naturally
one wishes to make advantageous use of such temporary interruption to these
proceedings. There have been produced to the court so-called 'VIP entry
platinum cards' to the Globe Theatre which will allow me, and such of counsel
here present, on occasions to attend at such theatre weekly until the next
return date.
Scrivener's
note: Court clerk interrogates diary. Date six years hence announced.
Consternation in court. Tipstaff summoned. Alleged trespass to person as Judge
is kissed by a lady.
Reported
by Robin Fry, attorney-at-law
I look forward to the follow-up judgment in relation to the copyright in Metamorphoses and the egregious infringement by the producers of My Fair Lady.
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